To begin, I joined the RPS and sought out a local audio-visual group affiliated with the society. Although this group only met twice per year, they gathered at a school hall in Snods Edge—a location with a charming name that piqued my curiosity. I found Snods Edge on the map and decided to bring one of my audio-visual presentations to share and receive feedback from the group.
My initial visit took place in March, at a time when snow was still falling. Fittingly, as I arrived Snods Edge—locally referred to as "snows edge"—was bathed in sunlight and blanketed with snow. My years in the audio-visual community meant I recognised several members, including Howard Wilson, who greeted me warmly. Spotting the CD in my hand, Howard remarked that I must be ready for 'criticism,' as the group traditionally called it. He joked that one needed to be thick-skinned because the jury could be quite harsh. However, the feedback on my presentation was not overly critical, and I left feeling satisfied with my experience.
Although my first encounter at Snods Edge—soon affectionately known to me as ‘Snods’—was slightly intimidating, I found it both enjoyable and educational. I gained valuable insight into what the RPS distinctions panel might look for in candidates. I continued to attend meetings, eventually joined the committee, and later accepted the Chairmanship. Over twenty-five years, I have cherished my membership and formed enduring friendships.
Over time, the landscape of audio-visual work has evolved. The introduction of modern techniques and equipment has softened the group’s approach. Criticism is now framed as advice, and encouragement is offered by fellow members. The NAVGroup is no longer affiliated with the RPS, and those seeking audio-visual distinctions now also have alternative paths.
During my journey, I achieved both LRPS and ARPS distinctions in audio-visual work. I remain grateful for the constructive criticism I received at Snods Edge, even though I can no longer use these distinctions as I am not currently a member of the Royal Photographic Society. Nevertheless, I continue to benefit from my involvement and commitment to the Northern Audio-Visual Group.